(Click image to see it at Flickr, then click on All Sizes above the pic to see a bigger version)
Hmm... wow that pic is UGLY!!! Amazing how using the flash makes every speck of dust glare impossibly bright! And I didn't even know I had a little arachnid friend living on the set till I saw him larger than life in closeup. Egad!! Try to ignore the nastiness and concentrate instead on the beerspill effect (even though it's clear rather than beer colored). Hey, this whole shot would look a lot better through beer goggles!!
Anyway, the (1st) point of this post is to tout my discovery for water (or any liquid) animation... Quakehold! Museum Gel. Crystal clear, non-toxic, and easy to form into spills or drips that hold their shape for a long time. It will sag over time, but it takes a few hours for a ball to revert to a puddle. Easily enough time for animation. It can also be tinted by adding probably any kind of transparent tint. I tried it with some of the resin tints I used for the bottles and it works great.
Quakehold! also makes a Museum Wax that's just microcrystalline wax... a very sticky yellowish translucent wax that's perfect for sticking props to sets or even to puppets hands. It's a good deal stickier than the so-called Stikky-Wax I bought some time ago. I consider it an essential for any stopmoe to have on hand.
One thing I discovered quite by accident that needs further testing.... I had a blob of the gel sitting on a paper envelope for a long time.... probably a week and a half or so, and noticed a big clear stain spreading around it... like an oil stain. I peeled the gel off the paper and it seemed like it was a good deal stiffer than it normally is... to the point that you could maybe sculpt forms from it and they'd hold their shape long enough for animation. Not sure on that one... I decided to put it to the test and placed a larger glob on a piece of paper last night, but so far it hasn't leached very much, just the beginning of a spreading stain. It must take longer than overnight. But Im not sure if it was really much stiffer than the regular stuff.... more experimentation is needed. I'm also not sure why you'd need it any stiffer.... this stuff is perfect for animating spills or drips or pours just as it is. Seemed kinda neat is all.
Also, at just about the same time as I made that accidental discovery last night, I made another one.
This is my Solux Framing Art Light, a great little device that casts a very controllable spotlight effect. The only problem I had with it is that it was rather... well - droopy. In fact I used to say it was built like a Dr Seuss telescope. Kind of tricky to get it aimed exactly where you want. I was looking at it last night thinking I ought to find some way to secure it better, and I had an idea about bending a couple of strips of metal to use as clips. I started looking around the basement to find some suitable metal, when I ran across the rotisserie attachment from my convection oven... basically a useless chunk of metal that I had kept around in case I ever found a use for it! Hah! In a few minutes I had bent the pointy tines (prongs... whatever they are) into suitable positions and found that it's just what the doctor ordered!!! The steel has just the right amount of spring to it too... by tightening it a little too much I get some good tension on it. Now the Dr Seuss telescope is more like an arrow-straight ramrod!! And just incidentally, I found the steel rod is also a great handle for adjusting the light... I used to burn my hands on it all the time!!
8 comments:
Coolness! Great Find.
jriggity
Exactly what I am looking for... and about the paper and gel stuff: newspaper is designed for sucking and 'spreading' the ink (liquid) the most, so they need less ink (my attemt to eplain technical matters in English...) so this might help in leachng out the gel. On the other hand, I hope it doesn't stick too much to it in cuase of this. Just an idea... hope it helps...
"to the point that you could maybe sculpt forms from it and they'd hold their shape long enough for animation. Not sure on that one."
I would be very interested in this. Please keep me posted!
Actually, I hate to say it but I don't think leaching stiffens it up all that much It does feel drier after the oils are soaked out, but once you knead it and start working with it it seems the same as the stuff right from the jar. I guess I should add that info at the end of the post.
This is still great stuff though.... everyone should give it a try.
I think it might be useful for mixing with clay. Do you have any idea what the ingredients are?
No clue. I don't think ingredients were listed in the instruction sheet either (which I threw out after reading it once). You can probably request an MSDS sheet for it from the Quakehold! company. Try their website.
(^ funny thing about ingredients:
(^ they shift and seperate over time.
splck seperate = separate desperate exasperate temperate recuperate.
(^ so yeah! chemistry. chemo estah?
(^ had an interesting conversation with a friend right before he went off to Germany for a festival I guess he's a guest at.
(^ we spoke of sealing wax and where van akens bought out leisure craft and about 6 other oil based clay mergers over the past 40 years
and how trying to find the right mix becomes a full on job in itself:
I recall that burman Studios branched off to burman Industries:
(^ some stuff you want to work with real fresh,
but if penecillin is what yer after yeh may need let the bread set a spell.
(^ splck penecillin = penicillin stencillings penetrability penetrating chilliness
(^ you gots to love them happy accidental tremors.
(^ shaken not stirred?
(^ a pot watched never boils but may simmer whilst never quite rolling?
(^ it never reigns but it poors.
(^ play thee wild card jokestir if the deadline is fictitious.
in the persuite of inovation
Great info here about museum gel. Shelley sent me a sample of this and I will try soon.
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