- Keep the Leatherman on your belt with the big flat screwdriver open all the time - unless you have a quarter in your pocket to tighten and loosen screws on quick release plates and swivel heads etc.
- If you're using a microphone mounted on the camera, turn it around when you're standing behind the camera and talking.
- Record some room ambience to plug in to shots that need it.
- A monopod makes a pretty serviceable steadicam if you attach something heavy like a superclamp to the bottom of it.
- replace room lights with daylight balanced bulbs - then it will match daylight coming in through windows and make white balancing much easier, plus lamps won't have a weird yellow or red color in the finished film.
- If you do a custom white balance each time you move into new lighting situations (sun disappears, different room or whatever) then it makes it almost unnecessary to color correct later, saving loads of time on tweaking and rendering.
Monday, November 16, 2015
Note - it should be obvious, but everything I write in these Filmmaking System posts is specifically about my situation and my cameras. It's not meant to be general advice for anyone who's trying to learn filmmaking, although I'm sure some of it will apply fairly universally.